Payments
BACS payments should be to:
North Norfolk Open Studios
Acct no: 25612462
Sort code: 80 22 60
Bank: Bank of Scotland
Put the artist name as it appears on the website as the reference
Cheques should be made payable to:
North Norfolk Open Studios
and posted to:
Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ
(Please write the name of the artist as it appears on the website on the back of your cheque)
Your brochure entry:
Brochure image:
Artist number:
To be confirmed
Name:
Tim Burdett
Area
To be confirmed.
Studio address:
Meadowcote
Stibbard Road
Fulmodestone
Fakenham
NR210LX
Tel:
07950 150495
Email:
Social media:
none chosen
Wheelchair access:
NO
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.
If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):
Tim Burdett
Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here
open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
email:
website:
Website
website:
Website
mobile:
07950 150495
landline:
Landline
address:
Meadowcote
Stibbard Road
Fulmodestone
Fakenham
NR210LX
wheelchair
Not accessible by wheelchair
directions:
From A1067 follow sign posts to Stibbard. Stay on the road through the village passing the school on left, pass two cottages in dip then head into S bend, driveway on left.
I am a landscape artist that explores the relationship between line and colour. The work is energetic and is intended to convey a sense of urgency to mark the surface. The colour palettes vary within the work, however I am very influenced by 1950’s music and interior design. Within these two topics, there appear to be overlapping similarities in the use of colour palettes, line and shape within publications and album covers. There is a vibrancy to colour that nowadays we have lost. I aim to incorporate this element of vibrancy and colour within the work.