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Payments
BACS payments should be to:
North Norfolk Open Studios
Acct no: 25612462
Sort code: 80 22 60
Bank: Bank of Scotland
Put the artist name as it appears on the website as the reference
Cheques should be made payable to:
North Norfolk Open Studios
and posted to:
Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ
(Please write the name of the artist as it appears on the website on the back of your cheque)
Your brochure entry:
Brochure image:

Artist number:
To be confirmed
Name:
Natalie Scurll
Area
To be confirmed.
Studio address:
Cromer Community Centre
Garden Street
Cromer
NR27 9HL
Tel:
07803 130958
Email:
Social media:
none chosen
Wheelchair access:
YES
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.
If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):
Natalie Scurll
Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here
open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
Drawing, Illustration
email:
website:
website:
Website
mobile:
07803 130958
landline:
01263 519262
address:
Cromer Community Centre
Garden Street
Cromer
NR27 9HL
wheelchair
Accessible by wheelchair
directions:
The Community Hall can be found just off a Church Street in the centre of the town and a short walk from the Bus terminal


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I am a freelance illustrator based in North Norfolk. I focus on the natural world, using pen, ink and graphite. I explore details within my subject matter. Whether it be fur, feathers or the bark of a tree, I experiment with depicting these structures with both realism and stylistic interpretation.
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