Payments
BACS payments should be to:
North Norfolk Open Studios
Acct no: 25612462
Sort code: 80 22 60
Bank: Bank of Scotland
Put the artist name as it appears on the website as the reference
Cheques should be made payable to:
North Norfolk Open Studios
and posted to:
Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ
(Please write the name of the artist as it appears on the website on the back of your cheque)
Your brochure entry:
Brochure image:
Artist number:
To be confirmed
Name:
Kate Vogler
Area
To be confirmed.
Studio address:
Old Hall
12 Reepham Road
Foulsham
NR20 5SL
Tel:
07766 404304
Email:
Social media:
none chosen
Wheelchair access:
NO
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.
If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):
Kate Vogler
Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here
open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
email:
website:
website:
Website
mobile:
07766 404304
landline:
01362 683633
address:
Old Hall
12 Reepham Road
Foulsham
NR20 5SL
wheelchair
Not accessible by wheelchair
directions:
From war memorial in Foulsham village centre, turn onto Reepham Road. Park at the last house on the right. Go back onto the road. Studio is through the field gate to the right.
I grew up in Northumberland, influenced by its weathered places: hills, seas or rivers.
My workshop is now in rural Norfolk, where I make sculptural pots built from coils of clay. They are made in response to the eroding landscape and its history.
Some try to capture the timeless joy of moving water, birdsong or stillness; others contain hidden birds. The birds are carved into the clay surface. They are barely noticeable, concealed within the natural surface colouring.
Others use impressions of Beth Walsh's linen lace to create the textures of windblown reeds and trees.
The surface marks arise after smoking the burnished, porous pots in natural material collected close by.
Some are pit fired in wood. Added oxides react with the heat of the flames, leaving explosions of colour on the surface of the pots.
Having controlled the shape: the sense of uplift and poise, I love the unpredictability of the emerging markings. The bare, unglazed vessels feel somehow ancient and tactile, inviting quiet reflection and a search for significance within yourself.
Like the landscape, my pots are formed by a process of erosion.
BACKGROUND
I came to Norfolk to join a degree course in Fine Art, Sculpture. Returning to Norwich after a post graduate course, I taught sculpture and ceramics for many years at a local comprehensive school, adult education centres, in primary and special needs schools. Now, I concentrate on developing my work from my studio, selling through galleries.
I exhibit regularly and teach sculpture and pottery to students of all ages