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Payments

BACS payments should be to:

North Norfolk Open Studios

Acct no: 25612462

Sort code: 80 22 60

Bank: Bank of Scotland

Put the artist name as it appears on the website as the reference

Cheques should be made payable to:

North Norfolk Open Studios

and posted to:

Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ

(Please write the name of the artist as it appears on the website on the back of your cheque)

Your brochure entry:
Brochure image:
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Artist number:
19
Name:
Frances Kearney
Area
02 Glaven Valley
Studio address:
Umtata
Coast Road
Cley-next-Sea
NR25 7RY
Tel:
07798867994
Wheelchair access:
NO
Directions:
My studio is in Cley on a bumpy track raised above the A149 Coast Road directly opposite the beach road by a tree and a red letter box, the house with dark grey windows.
Description:
My tableaux pose questions of the human existence alongside the sonic overload of life. I’m interested in landscape of consciousness, sanctuary, ritual; the found object verses dangers imposed by man.
Dates:
Saturday 23 May
Sunday 24 May
Monday 25 May
Friday 29 May
Saturday 30 May
Sunday 31 May
Monday 1 June
Friday 5 June
Saturday 6 June
Sunday 7 June
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.

If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):

Frances Kearney

Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here

open dates:
A formatted version appears on your actual artist page:
Saturday 23 May, Sunday 24 May, Monday 25 May, Friday 29 May, Saturday 30 May, Sunday 31 May, Monday 1 June, Friday 5 June, Saturday 6 June, Sunday 7 June
artist number:
19
area:
media:
Photography
website:
Website
mobile:
07798 867994
landline:
Landline
address:
Umtata
Coast Road
Cley-next-Sea
NR25 7RY
wheelchair
Not accessible by wheelchair
directions:
My studio is in Cley on a bumpy track raised above the A149 Coast Road directly opposite the beach road by a tree and a red letter box, the house with dark grey windows.
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British Artist born 1970 in North Norfolk. Currently living and working in North Norfolk.

Masters from Royal College of Art after completing a BA in Art History and Development at Liverpool University.
Exhibited and published Nationally and Internationally, works are held in various Private and Public Collections including The Victoria and Albert Museum, The Saatchi Collection, British sound archives, Norwich Castle Collection.

Recent exhibition; JMW Turner and Changing Visions of Landscape: Norwich Castle Museum

Recent publications: InLand; Writings around Land Art and its Legacies; Ben Tufnell.

The Photographic representation of Empty Places ( chapter 4 Staging Isolation: Images of Seclusion and Seperation - Frances Kearney, Gregory Crewdson and diCorcia ).

Kearney’s works are carefully and slowly choreographed, produced at a large scale (4ft x5ft) working with an Analogue 5x4 plate camera.
Kearney’s works are constructed tableaux known for including female figures seen to be empowered and often engaged in non specific activities such as work, ritual and solitude within the landscape / edge lands. The works pose questions relating to the ruin and how one copes with mans collapse of engagement with nature in a world of ever increasing speed and sonic overload.

Kearney is interested in the need for quietude and protection within the presence of nature during these current specific times of threat and danger from man.

The found object, especially that found by the shore have featured in Kearney’s work for some time; her interest lies in examining notions of nurture, enchantment and protection within nature verses fear, danger and toxic contamination of our world so precious.

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