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Payments

BACS payments should be to:

North Norfolk Open Studios

Acct no: 25612462

Sort code: 80 22 60

Bank: Bank of Scotland

Put the artist name as it appears on the website as the reference

Cheques should be made payable to:

North Norfolk Open Studios

and posted to:

Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ

(Please write the name of the artist as it appears on the website on the back of your cheque)

Your brochure entry:
Brochure image:
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Artist number:
To be confirmed
Name:
Alison Henry
Area
To be confirmed.
Studio address:
New Farm Barn
New Farm
Warham Rd
Wells next the sea
NR23 1NE
Tel:
07541 250862
Social media:
none chosen
Wheelchair access:
NO
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.

If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):

Alison Henry

Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here

open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
3D, Sculpture
website:
Website
mobile:
07541 250862
landline:
Landline
address:
New Farm Barn
New Farm
Warham Rd
Wells next the sea
NR23 1NE
wheelchair
Not accessible by wheelchair
directions:
Go through New Farm gates level with Norfolk Hideaways office. It's the first barn you come to. Entrance is at rear. Please do not park on the grass.
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My work explores patterns, rhythms and structures of everyday objects and creatures in the natural world, resulting in organic abstract forms made in clay which are either fired or cast in bronze or other materials. I have been deeply concerned for decades about man’s impact on the environment. In my work I try to highlight the incredible diversity of nature manifested in the tiniest and humblest forms found all around us – a seed pod, a seashell, a wasp’s nest, a dried leaf or petal. By narrowing in on the discrete details of each fragment I hope to draw attention in a small way to the awe-inspiring beauty and complexity of our environment which we ruin at our peril.

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