Payments
BACS payments should be to:
North Norfolk Open Studios
Acct no: 25612462
Sort code: 80 22 60
Bank: Bank of Scotland
Put the artist name as it appears on the website as the reference
Cheques should be made payable to:
North Norfolk Open Studios
and posted to:
Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ
(Please write the name of the artist as it appears on the website on the back of your cheque)
Your brochure entry:
Brochure image:
Artist number:
To be confirmed
Name:
Alison Bradley Mason
Area
To be confirmed.
Studio address:
White House Farm
Mundesley Road
Trunch
NR28 0QB
Tel:
07971 665373
Social media:
none chosen
Wheelchair access:
NO
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.
If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):
Alison Bradley Mason
Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here
open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
website:
Website
website:
Website
mobile:
07971 665373
landline:
Landline
address:
White House Farm
Mundesley Road
Trunch
NR28 0QB
wheelchair
Not accessible by wheelchair
directions:
Entrance via the farmyard entrance to the left of the main house, Pottery barn is sign posted in the farm yard and at the back of the plot, there is plenty of parking
My ceramics are mostly informed by my love of nature and my experience as a gardener and garden designer. I love the touch of clay and the process of carving and decorating from a young age. Later studying portrait sculpture, general ceramics, throwing at the wheel, surface design, glaze chemistry and most recently mold making. I especially love working with slip, and scraffito - carving shapes and patterns into the leather hard clay. My other favorite is using translucent celedon glazes influenced by Japanese ceramic traditions and creating decoration in relief. I recently moved into my new pottery barn and I'm looking forwards to developing my work.