Payments
BACS payments should be to:
North Norfolk Open Studios
Acct no: 25612462
Sort code: 80 22 60
Bank: Bank of Scotland
Put the artist name as it appears on the website as the reference
Cheques should be made payable to:
North Norfolk Open Studios
and posted to:
Cora Mullenger
5 Britons Lane
Beeston Regis
Sheringham
Norfolk NR26 8SJ
(Please write the name of the artist as it appears on the website on the back of your cheque)
Your brochure entry:
Brochure image:

Artist number:
To be confirmed
Name:
Robert Downie
Area
To be confirmed.
Studio address:
The Garden House Gallery
31 Garden St
Cromer
NR27 9HN
Tel:
07484 137045
Social media:
none chosen
Wheelchair access:
NO
Directions:
Description:
Dates:
No dates chosen
If you need to make changes go to:
https://www.northnorfolkstudios.co.uk/account/edit
You will need to have signed in to the members' area to access this.
If this is your first time exhibiting please look at:
https://www.northnorfolkstudios.co.uk/help
for more information.
Your artist's page (please the ignore formatting if you are looking at this on a mobile device):
Robert Downie
Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here
open dates:
No dates chosen
artist number:
To be confirmed
area:
media:
website:
website:
mobile:
07484 137045
landline:
01263 511234
address:
The Garden House Gallery
31 Garden St
Cromer
NR27 9HN
wheelchair
Not accessible by wheelchair
directions:
Follow the one way system into Cromer town centre. Go right at the “merge in turn” sign. Take first left into Garden Street (opposite Lloyds Bank) The Garden House is 200 yards down on the left.





‘Living in the midst of the Norfolk countryside and a stone’s throw from the coast is the perfect setting for making art. As you can see from my work I am fascinated by the seashore and by trees and woods, there is an abundance of both on my doorstep.
The truth is that I don’t want to tell the viewer anything at all. I simply hope viewing the picture conjures up memories, stories or feelings in them, drawing out rather than me putting in. If someone feels a little happiness when they look at one of my pictures, then my job is done.
I am lucky to have a very retentive memory. As I travel round I see things that appeal to me, shapes, shadows, colours and clouds, even perspectives and somehow they are captured in my memory and then they pop out days, weeks or even months later. I don’t pretend to understand how or why this works, it just does and saves on having to use reference photos. I do have a sense of the dramatic and love strong leading lines together with black outline and shadow. Visually, my favourite times of the year are early Spring and late Autumn, the angle and strength of the sun is such that it throws strong, deep shadows across the scene; but overall I guess I am inspired by life itself, quite simple really.’


