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Payments

BACS payments should be to:

North Norfolk Open Studios

Acct no: 25612462

Sort code: 80 22 60

Bank: Bank of Scotland

Cheques should be made payable to:

North Norfolk Open Studios

and posted to:

Keri Lowe

16 Clarendon Drive, 
Martham
Norfolk
NR29 4TD

Your brochure entry:
Brochure image:
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Artist number:
To be confirmed.
Name:
Natalie Scurll
Trail:
To be confirmed.
Studio address:
Cromer Community Centre
Garden Street
Cromer
NR27 9HL
Tel:
07803 130958
Email:
No permission given.
Wheelchair access:
YES
Directions:
The Community Hall can be found just off a Church Street in the centre of the town and a short walk from the Bus terminal
Description:
I am a freelance illustrator based in North Norfolk. I focus on natural history using pen and ink and graphite.
Dates:
25 May
YES
26 May
YES
27 May
YES
28 May
YES
29 May
YES
30 May
YES
31 May
YES
01 June
YES
02 June
YES
Your artist's page:

Natalie Scurll

Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here

open dates:
Sa
25
May
Su
26
May
M
27
May
T
28
May
W
29
May
Th
30
May
F
31
May
Sa
01
Jun
Su
02
Jun
artist number:
To be confirmed
trail:
media:
Drawing, Illustration
email:
Email
website:
Website
mobile:
07803 130958
landline:
01263 519262
address:
Cromer Community Centre
Garden Street
Cromer
NR27 9HL
wheelchair
Accessible by wheelchair
directions:
The Community Hall can be found just off a Church Street in the centre of the town and a short walk from the Bus terminal
currentItem_ID
spacer.gif

I am a freelance illustrator based in North Norfolk. I focus on the natural world, using pen, ink and graphite. I explore details within my subject matter. Whether it be fur, feathers or the bark of a tree, I experiment with depicting these structures with both realism and stylistic interpretation.

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