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Payments

BACS payments should be to:

North Norfolk Open Studios

Acct no: 25612462

Sort code: 80 22 60

Bank: Bank of Scotland

Cheques should be made payable to:

North Norfolk Open Studios

and posted to:

Keri Lowe

16 Clarendon Drive, 
Martham
Norfolk
NR29 4TD

Your brochure entry:
Brochure image:
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Artist number:
To be confirmed.
Name:
Dee Evans
Trail:
To be confirmed.
Studio address:
The Bungalow
Malthouse Lane
Ludham
NORFOLK
NR29 5QL
Tel:
Wheelchair access:
YES
Directions:
From the grocery store (on your right) head towards Catfield and Malthouse Lane is 1st on the right. Please park in main street.
Description:
Colourful mixed media artworks including collages and acrylic paintings. Also monoprints.
Dates:
25 May
YES
26 May
YES
27 May
YES
28 May
-
29 May
-
30 May
-
31 May
YES
01 June
YES
02 June
YES
Your artist's page:

Dee Evans

Note: if you are viewing this on a mobile device there seems to be a glitch where the dates aren't showing properly. I won't be fixing this as the same problem doesn't appear to be happening with actual artist pages that the public see. If you want to check the dates either go to the editing area in the Members' area or have a look at your actual artist page by clicking on your image here

open dates:
Sa
25
May
Su
26
May
M
27
May
T
28
May
W
29
May
Th
30
May
F
31
May
Sa
01
Jun
Su
02
Jun
artist number:
To be confirmed
trail:
media:
Collage/Montage, Mixed media, Painting, Printmaking
website:
Website
mobile:
Mobile
landline:
01692 678857
address:
The Bungalow
Malthouse Lane
Ludham
NORFOLK
NR29 5QL
wheelchair
Accessible by wheelchair
directions:
From the grocery store (on your right) head towards Catfield andMalthouse Lane is 1st on the right. Please park in main street.
currentItem_ID
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I have been painting for over thirty years and studied Art and Design at
Norwich City College. I am now happily settled on the Norfolk Broads and have a studio in the garden. During my artistic career I have used several different styles and media but am now concentrating on mixed media collage and monoprinting, very often combining the two.

My collages are made mostly from original monoprints, but sometimes I add other printed material, such as newspapers, magazines and textile fragments. I make the monoprints in batches without any idea of what they may be used for. When starting a collage I sometimes begin with an acrylic underpainting and then cut or tear the monoprints I have selected into either defined or random shapes. These are then used to make an image on paper or board, usually semi-abstract. Sometimes I have a loose idea of the subject but the composition is mostly undefined at the beginning and arises organically as I work with various prints and papers

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